Multi-talented. In every territory.

Multi-talented. In every territory.

One of South Africa’s most sought-after multi-platinum selling producers/songwriters.

Pete Boxsta

By the time he relocated to London in 2001, Pete “Boxsta” Martin had written over 15 No 1’s and countless top 10’s, becoming one of South Africa’s most sought-after multi-platinum selling producer/songwriters. Today he is not only an award-winning, multi-talented producer/songwriter with cuts in every territory around the world but is also a sought-after mix engineer with productions, mixes, and remixes on a variety of top-selling artists such as Arrow Benjamin, Jessie J, Sugababes, Alexandra Burke, Paper Crows, E.J, Missy Elliot, Roll Deep, Natalia Kills, and The Brand New Heavies.

When I saw the plugin for the first time, I was blown away because those are the kind of things I gravitate towards. I gravitate to things that push your music further and make you explore different things, and it's just such a revelation when you work with those things that pushes your music beyond.

How did you hear about Sound Radix?
So I downloaded the demo of SurferEQ and I was immediately blown away.  I mean, just the visual kind of aspect of it that you can select certain bands to just track the frequency, the pitch, is just so revolutionary, there's nothing else out there like it and I mean actually when I downloaded the bundle for Sound Radix, I kept loading the plugins and thinking "ok so this does this" and then I was surprised every time that they've just got something slightly different in their plugins.

What do you use SurferEQ for?
Bass is very, very volatile you know. You get certain sections of the bass that can boom out, that can really thin out and especially with a live band scenario, you can come back on the next day and think "wow it really felt good emotionally on that day" but certainly you've got little bass drops or little frequencies that drop out of the bass and you think "What was I thinking?  I didn't hear that at the time". With SurferEQ, it's so brilliant because you can zone into the specific, like into the region of the bass that's dropping out and just get it to track it, which is revolutionary.  The first time I did it, I literally couldn't believe what I was hearing. It just put back the notes that were missing, put back the frequencies that were missing and you can actually see it on screen, you'll see the SurferEQ kind of following the bass part, which is brilliant.


How has SurferEQ changed your mixes?
I'm using a lot less compression when I'm using SurferEQ because it's basically filling in those blanks, it's filling in the region of the bass that just loses it sometimes, the region of the bass that kind of gets thin so it's just so brilliant, it's like  a new dimension in the way you would think about bass or vocals.  Funnily enough, a vocal dropped out the other day and I thought "let me put it on and just see if it compensates for the loss in warmth on the one note" because obviously you don't want to mess around with the vocal performance, you want it to be smooth and obviously compression does that.  With this EQ, it just kind of fills in the blanks, you can actually see it on the screen just re-draw that frequency which is mind-blowing when you think about it.

Do you have any SurferEQ tricks you can share?
The other day I was doing an EDM project and there was a big classic pad coming on and I thought "Let me program some bass into it, just to see if we can get a bit fatter" and as I went to program something, I thought "Hold on, let me go back to SurferEQ and see if we can dial in some bass" and just the sonics coming back at you from just drawing the plugin into it and watching it re-draw all the bass frequencies, it just popped out of the speakers.  And you know, a lot of people probably think "ok, that's what it's primary function is" to become a pitch track or follow or do something like that but just as a plain EQ, it is ridiculous. The top end of it is so silky. I can sometimes just put it across a master output and it just lifts your mix just slightly. It's a really beautiful EQ.

How are you using Drum Leveler?
Drum Leveler is absolutely fantastic. I've got a lot of vinyl samples that over the years I've collected from different friends.  We've got a pool of vinyl drum breaks and that to me is when Drum Leveler comes into it's own. I put it across a channel and basically, just re-jigged the Hi-Hat on one thing because obviously those old school drum loops are sometimes just one mic so the one mic is just banging out and it's a wonderful sound but the Hi-Hat seems to get lost or very, very prominent in those kinds of things. With Drum Leveler, you just put it across the channel and basically dial down whatever frequency you want, whatever sound you want to. So you're re-grooving everything, without even knowing it.


Are you just using Drum Leveler on loops?
The other day I used Drum Leveler obviously on a vinyl loop which was really great and the next day I was working on a really organic project where we had a fantastic drummer in, and I got all the levels right and I thought "this is really sounding good" and then, just as an experiment, I put the Drum Leveler on the Drum Bus which was kind of a strange thing to do because you've got separation and everything like this but I just did it as an experiment and just the sound, the compression of it almost just was ridiculous across the Drum Bus.  It's those little moments, those mistakes, those experimental moments that just make you think "these plugins can be taken to just such new territories" so again, a wonderful aspect that you can use it in.

What do you value about our Sound Radix?
You're doing something totally, totally revolutionary with every single plugin that you're doing, which is really, really mean. I mean you don't really get that a lot, you get maybe one plugin manufacturer that does something really special. You guys are doing every single plugin that has something different about it, which is revolutionary.

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