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Entries for author "[email protected]"

Mick Schultz, Multi-Platinum Grammy Nominated Music Producer in an interview with Sound Radix

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Mick Schultz is a Grammy-nominated music producer and songwriter and has been the creative powerhouse behind some of the biggest R&B and pop tracks that reached multi-platinum status - Jeremih’s "Birthday Sex", "Down on Me", and "Don't Tell 'Em" as well as the platinum hit "Replay" by Zendaya. Amongst other notable artists, he also worked with Rihanna and Kelly Clarkson. Mick goes deep on bridging the pop/hip-hop divide and developed …

An interview with Primetime Emmy Award-Winner Andrew Spencer Dawson

Andrew Spencer Dawson

Over the past 25 years, Andrew Dawson has built one of the more unique careers in Los Angeles: VO performer, ADR supervisor, sound designer, teacher, and demo producer. His sound work is heard on hundreds of TV and film projects, recently winning an Emmy Award for Best Sound on "American Horror Story: Asylum" and an Emmy nomination for the 2016 re-make of "Roots". In addition, Andrew's voice can be heard …

Award winning composer and music editor Stephen Gallagher meets Sound Radix

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Stephen Gallagher is an award-winning composer and music editor. He works in film, television, and other media and is currently based at Park Road Post Production in, Wellington, New Zealand. He wrote the song 'Blunt the Knives' for Peter Jackson's 'The Hobbit': An Unexpected Journey, and has composed music for every size of production, from Hollywood blockbusters to independent documentaries and online web series, from all around the world.
He …

Golden Reel Award Winner Brian Bowles about his work, the industry, and Auto-Align Post

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Brian Bowles has been a dialogue and ADR Editor since 1996 when he got his start on Steve Buscemi’s directorial debut Tree’s Lounge. He's worked on documentaries, low-budget Indies, festival circuit darlings, award-winning TV series, Hollywood blockbusters, and everything in between.
"I really like working with the director and actors to help craft a performance while also doing the most invisible work possible so that the audience can let the …